Print on demand – order print copies of publications in DiVA

**Detta blogginlägg är också tillgängligt på svenska**

In collaboration with the University printing office LiU-Tryck, LiU E-Press hosts a print on demand service, where you can order print copies of e-books, dissertations and some working papers available in the online repository DiVA.

To order a print copy online, this is what you do:

  1. Search in DiVA for the book you want to order
  2. Click “Order online” Order online form symbolized by a shopping basket
  3. Log in with your LiU-Tryck account. If you don’t have an account, you can create one in a few easy steps.
  4. When you have signed in with your account, all information about the publication you want to order is transfered automatically to the order form. You only need to specify how many copies you want to order, the payment option of your choice and your address.
  5. You can pay with credit card or by invoice (if you choose invoice, you need to communicate with LiU-Tryck).

When ordering a publication with Print on demand, you only pay a cost price for the publication, i.e. cost for printing and shipping. The price is based on the number of pages in the publication. For example, the price for a book with 100 pages is approximately 200 SEK, plus the shipping cost.

The print on demand service was launched in 2019. A total of 12 orders have been delivered so far. With 5 orders, the bestseller is Klassrum med himlen som tak: en kunskapsöversikt om vad utomhusundervisning betyder för lärande i grundskolan, a review of research in outdoor teaching. An English version of the publication is available at:

Teaching with the Sky as a Ceiling: A review of research about the significance of outdoor teaching for children’s learning in compulsory school

Search publications in DiVA

If you have any questions about the print on demand service, or can’t find an “Order online” link in a DiVA publication you want to order, please email us at ep@ep.liu.se.

What about interlibrary loans?

**Detta blogginlägg är även tillgängligt på svenska**

For us at Linköping University Library, it is always our aim to offer all books, journals and other publications that are needed by students and researchers at LiU. Sadly, it is impossible to have absolutely everything in our collections. But if we don’t have a print or electronic publication, we can usually provide it as an interlibrary loan, i. e. acquire it from another library.

You can apply for an interlibrary loan of books or order print copies of articles using the forms on this page:

https://liu.se/en/article/fjarrlan-inkop

When they have arrived, books on interlibrary loan are collected at the library enquiry desk. Just ask us, and we will borrow you the book. Articles are either copied or printed. LiU researchers will get their print copy delivered to their office post box on campus. Students collect their article copies at the library enquiry desk.

Interlibrary loans are free of charge for both LiU employees and LiU students. An interlibrary book loan may be associated with a fee for students if the book must be ordered from a library outside of Sweden or the Nordic countries.

And what do we do if we get a request for a very rare item, say an Italian article about butterflies published in 1872?

Sometimes, you can find it simply using Google. An insane amount of publications are in fact freely available online! Some cases might be a bit trickier. We use an array of providers and library catalogues to locate and order material from all parts of the globe. Usually, we order through Libris – the Swedish national library catalogue. We also get many deliveries from German article databases. Sometimes we need to dig deeper, and perhaps order that rare 1872 article about butterflies from a library in Italy that is the only library that can provide us with a copy.

You are welcome to use our interlibrary service to obtain books or articles needed for you research or studies. We are here for you!

Image from Pixabay

 

by Ellinor Krutholm

translated by Peter Igelström

Digital exhibition – testing at LiUB!

**This blog post is also available in Swedish**

On March 16, 2020, Linköping University activated distance mode for all students and employees due to the corona pandemic. For us working at LiU, one of the outcomes was that we have been more digitalized than ever, and also got the chance to try new ways of working.

For some time, Linköping University Library has been producing exhibitions, both big and small. During the distance mode, we started to think about going digital also with our exhibitions.

A digital exhibition can be produced in different ways. We decided to try Sway in this project, which is an easy and interactive program to handle presentations with text and photos. Our aim was to learn more about the creative process when doing a digital exhibition, and the distance mode itself became the subject of this our first experiment.

The theme of the exhibition is the everyday and working life of a selection of LiU employees during the spring of 2020.

Many thanks to those who contributed!

The presentation is mainly visual but texts are in Swedish only.

Written by: Maria Svenningsson, Valla Library

“The place was worse than a morgue” – Libraries and librarians in hard-boiled detective fiction

 

**Detta blogginlägg finns även tillgängligt på svenska**

The connections between crime fiction and libraries are well established. The term bibliomystery is used for a detective story in which libraries, books or the publishing world plays a central role. There are a number of studies on libraries and librarians as depicted in fiction and popular culture.

When talking crime fiction, the library setting is primarily associated with the whodunit type of mystery. Here I will explore the topic as portrayed in the hard-boiled type of detective story.

 

Philip Marlowe and colleagues visit the library

If you pick up a random hard-boiled detective novel, there is a reasonable chance that the book will include a visit to a library by the detective. As a tradition, the library visit goes back at least to the 1930s and the most classic of hard-boiled detective heroes, Philip Marlowe, who made his first appearance in Raymond Chandler’s novel The Big Sleep in 1939. Many later detectives have followed Chandler’s hero in this regard, including Ross Macdonald’s Lew Archer, Robert B. Parker’s Spenser and Lawrence Block’s Matthew Scudder.

Perhaps more surprising, even the hard-hitting and constantly revenge-seeking Mike Hammar visits libraries in books by Mickey Spillane. In I, the Jury (1948), Hammer has joined forces with police officer Pat Chambers. Together they visit a public library in the middle of the night in search for clues. Using old college yearbooks, they are able to find out the true identity of the killer. Their library visit therefore results in a breakthrough in their investigation.

 

More hard-boiled library patrons

Although quite common, the typical library visit by a hard-boiled detective is short in duration. Often the detective-as-library-user will check up a few facts by consulting old newspapers, rolls of microfilm or using a phone directory. Rarely do we get many details about the visit or in-depth descriptions of the library milieu, its users or its personnel.

But there are exceptions. A recurring library visitor is Kinsey Millhone, the hero of Sue Grafton’s alphabetically titled series of books set in the 1980s. Millhone is a patron of the Santa Teresa Public Library, for example in G is for Gumshoe (1990). Unlike many of her older male colleagues, she does not regard information seeking as a necessary evil but finds delight in searching for information and looking up facts (E is for Evidence, 1988).

Another classic female hard-boiled detective, V. I. Warshawski, created by Sara Paretsky, is also a frequent library user. Especially in Blacklist (2003), she spends extended periods of time visiting both public and research libraries as a part of her investigation. She also expresses a positive view of libraries in general, characterizing them as places where people of different backgrounds and needs can meet, and concludes that libraries therefore will never be replaced by the Internet.

Similar views of libraries are rarely expressed by other fictional private investigators. In fact, some hard-boiled heroes are more likely to display feelings of uneasiness regarding libraries. For example, Mike Hammer considers the library he visits in I, the Jury as a “place worse than a morgue”.

 

The changing view of libraries

Based on my own reading of hard-boiled detective novels, I have a feeling that the view of libraries has changed over time. In the classic stories of the 1930s and 40s, there is usually a distance, sometimes underpinned by irony, between the hard-boiled hero and the libraries he visits. Although he needs the library as a source of information, the detective is clearly in the category “atypical library user”. A good example of this can be found in the movie version of The Big Sleep (1946), where Marlowe (played by Humphrey Bogart) is seen at Hollywood Public Library reading a book titled Famous First Editions. When he returns the book at the library desk, the young woman there comments: ”You know, you don’t look like a man who’d be interested in first editions”. The detective quickly replies: ”I collect blondes in bottles too”.

The implication of this conversation seems to be that Marlowe is not perceived as a typical library patron, and that it is necessary to point this out to the movie audience. Is his hard-boiled image at risk, perhaps, if he should be perceived as bookish and as a frequent library visitor? One wonders why the library is a potential stigma to a hard-boiled detective.

But the hard-boiled image has evolved over time. Although there are still some ironic comments regarding libraries in later hard-boiled fiction, in the Spenser novels by Robert B. Parker for example, the hero is as well-read as hard-boiled. There no longer seems to be any contradiction between the two. And as we have seen, a modern-day private eye like Warshawski can make comments endorsing libraries in a very positive way.

 

Librarian stereotypes

There is no denial that literature and popular culture has often portrayed librarians and the library profession in a stereotypical way. Under ”Library milieu”, The Oxford Companion to Crime and Mystery Writing lists a number of stereotypes connected to libraries in crime fiction:

● the psychotic library patron
● cranky old maids
● the unsuitably sexy librarian
● helpmates
● the almost magically skilled reference librarian

And how does hard-boiled detective novels portray librarians? Over all, there are no surprises here and all examples of librarian stereotypes mentioned above can also be found in hard-boiled detective novels. Theresa McGovern in Joe Gores’ Spade & Archer (2009), for example, is a classic case of an “almost magically skilled reference librarian”. Young and attractive female librarians often also serve in a helpmate role, for example in Wim Wenders’ film Hammett (1982), based on another novel by Gores, and the 1980s TV series Magnum, p.i. (in the episode “Woman on the Beach”)

Another stereotype not named in The Oxford Companion to Crime and Mystery Writing is the old, nervous librarian. An example of this is the elderly male librarian attending Hammer and Chambers in I, the Jury.

 

Pastiches and parodies

The library makes a difference to hard-boiled detectives. There are plenty of evidence of this not only in the hard-boiled genre itself, but also in hard-boiled pastiches and parodies. For example, in the celebratory anthology Raymond Chandler’s Philip Marlowe (1989) two of the stories include library visits by the detective (authored by Dick Lochte and Jeremiah Healy). Spade & Archer, already mentioned, is a prequel to the classic detective novel The Maltese Falcon by Dashiell Hammett. The Dewey Decimal System (2011) by Nathan Larson is a sort of cross-over between hard-boiled detective novel and dystopia, where the protagonist, named Dewey Decimal, has made a library his home and spends his spare-time sorting books according to the classification system DDC. Finally, Dead Men don’t Wear Plaid (1982) is a film noir parody starring Steve Martin as private eye Rigby Reardon who has a contact at the library and is well-versed in “standard library talk”.

 

Select bibliography

Books

Block, Lawrence, The Sins of the Fathers (New York, 1976).
Chandler, Raymond, The Big Sleep (New York, 1939).
Chandler, Raymond, The Long Goodbye (Boston, 1953).
Gores, Joe, Spade & Archer (New York, 2009).
Grafton, Sue, E is for Evidence (New York, 1988)
Grafton, Sue, G is for Gumshoe (New York, 1990).
Larson, Nathan, The Dewey Decimal System (New York, 2011).
Macdonald, Ross, Black Money (New York, 1966).
The Oxford Companion to Crime and Mystery Writing, edited by Rosemary Herbert (New York & Oxford, 1999).
Paretsky, Sara, Blacklist (New York, 2003).
Parker, Robert B., Hugger Mugger (New York, 2000).
Parker, Robert B., Stardust (New York, 1990).
Raymond Chandler’s Philip Marlowe: A Celebration, edited by Byron Preiss (London, 1989).
Spillane, Mickey, I, the Jury (New York, 1948).

 

Films & TV series episodes

The Big Sleep, directed by Howard Hawks (1946).
Dead Men don’t Wear Plaid, directed by Carl Reiner (1982).
Hammett, directed by Wim Wenders (1982).
Magnum p.i., season 2 episode: “The Woman on the Beach”, directed by Donald P. Bellisario (1981).

 

by Peter Igelström, librarian, Valla Library

How it works – automatic renewals

**This blog post is also available in Swedish**

 

When borrowing books from the library, the loan period is normally 21 days, or 7 days if someone has placed a reservation on the book. When the loan period ends, your book will be renewed automatically for another loan period at a time, unless another borrower has requested it. 

If someone has requested the book, it will not be renewed and you have to return it before the due date. The maximum number of automatic renewals is 15 for LiU students and 25 for LiU employees.

Even if your loans often will be renewed automatically, make sure to keep track of the due date on your borrowed books. Overdue books will eventually be billed, and then you will have to pay an overdue fee of 200 SEK.

The easiest way to check the due date on your books is by logging in to My loans.

Note! Automatic renewal does not apply to textbook reference copies, which are day loan items only.

Please contact the library if you have any questions!

Written by: Maria Svenningsson, librarian, Valla library