Post seminar: Patents on Display and Methods of Exhibition Analysis



Yesterday PASSIM held a seminar online. PASSIM’s own Isabelle Strömstedt discussed a narrative approach to exhibition analysis that focuses on how documents can be displayed. Isabelle’s dissertation concerns the exhibition “Idé – Patent – Produkt” (Idea – Patent – Product) by the Swedish Patent Office. Annika Öhrner was invited as a guest speaker. Öhrner is Associate Professor in Art History at Södertörn University. She discussed Methods in Exhibition Analysis. Annika opened the seminar with an informative overview of art history and then explored examples of exhibition analysis in recent dissertations.

The seminar was an excellent example of how benefiting interdisciplinary conversations can be. The resonance between the two speakers was crystal clear and I know for a fact that it was greatly inspiring for Isabelle.

PI Eva Hemmungs Wirtén expressed that in less testing times than the current we would have been able to express our gratitude to Annika over a glass of vine or a post seminar dinner. Unfortunately that will have to be rain-checked, but we are grateful.

As Eva concluded in an earlier post here on our blog, the pandemic has meant that we must do things a little bit different if we are to keep momentum throughout these times.

Yesterday’s seminar was an example of at least one upside with online seminars as a handful of scholars joined the seminar from abroad and very much contributed to the discussion after the presentations.

On behalf of the PASSIM team I would like to thank everyone for their participation.

A recording of the seminar will be published on our website shortly:


Mattis Karlsson, PASSIM RA

About writing (and publishing)

Last week I learned that I had been awarded one of the 2020 Emerald Literati Awards for “How Patents Became Documents, or Dreaming of Technoscientific Order, 1895-1937,” published in Journal of Documentation 75(3), 2019. This came as a complete surprise. But a welcome one, obviously.

So much about scholarly publishing fascinates me. First there’s the enormity of it, the fact that you’re recognized (even read!) for one article in this ever-increasing avalanche or tsunami of publications out there seems like a minor miracle. I remember when I as a Comp Lit Ph.D. candidate at Uppsala University decided to write my thesis in English rather than Swedish: I admit that I had naive idea that because I was writing in English I would automatically have a huge (well, maybe not huge, but certainly bigger than 10 million Swedish-speaking) readership as well. This equation turned out to be slightly more complex and complicated than I thought some 20+ years ago.

But I think one of reasons why this award was so nice to receive was because I have always identified myself as a writer of books rather than articles. I still do. But in PASSIM I produce articles, and this means both writing and thinking differently than with a book. It’s a challenge. For many reasons. Not so much the stylistic side of things, but in terms of the way in which journal publishing has become so “formalistic.” Not sure if it’s the right word, but there is something quite problematic with the way that we decide which journal to write for first, before we decide (or even know) what the contribution of the article actually is. Of course, the entire scholarly ecosystem is now geared towards articles rather than monographs, and there are similar considerations to be made also when it comes to books, but there is something in this structure I find problematic and important to discuss.

But maybe not right now. For the moment, and in this Covid-19 moment, I’m just very pleased and grateful to Journal of Documentation.



Upcoming Seminar: Patents on Display and Methods of Exhibition Analysis (Tuesday, 1 December 2020 13.15-15.00: CET)


PASSIM holds seminar on Patents on Display and Methods of Exhibition Analysis, December 1, 2020.


About the Seminar:

In this seminar organized by PASSIM we present a broad introduction to exhibition analysis methods and a focused analysis on patents on display. Speakers are Annika Öhrner, Södertörn University and Isabelle Strömstedt, Linköping University.  Online participation open for everyone and free of charge. You will be able to ask our speakers questions in real-time during the seminar. We encourage you to invite friends or colleagues by sharing this information. The seminar is chaired by PASSIM PI Eva Hemmungs Wirtén. For more information and updates see our twitter @passimproject

Analysis of exhibitions has been present in disciplines of cultural history for some time; however, in recent scholarship, it seems to have gained renewed theoretical interest. While curatorial studies has emerged within the art field and higher art education since the 1990s, the nascent theoretical field of exhibition analysis is dealing with critical approaches to history. In these contexts, the exhibition is sometimes viewed as a media. While focusing on matters of method, the seminar intends to inspire further reflections on the exhibition as historical document and research object.

In Methods in Exhibition Analysis Annika Öhrner presents some theoretical voices in the field before exploring examples of exhibition analysis in recent dissertations in Art History and its neighbouring disciplines. The exhibition – the art exhibition and industrial exhibitions, the World Exhibitions, the more or less “permanent” displays at the national and regional history museum, etcetera – offers a rich and dense research object. Instead, as when working with a singular object or artifact, or with the producer and the audience, the scholar studying the exhibition as a spatial unit is offered a more complex and fruitful research object, allowing viewing history from different points of departure.

In Patents on Display Isabelle Strömstedt introduces her thesis about the exhibition Idé – Patent – Produkt (Idea – Patent – Product) by the Swedish Patent Office. She presents a narrative approach to exhibition analysis with a focus on displayed documents. By looking at the patents displayed in the exhibition, it becomes clear how they extended both the exhibition’s story-time and story-space.

From the exhibition Amerikansk popkonst. 106 former av kärlek och förtvivlan, Moderna Museet, 1964. ©Moderna Museet, ill. from, Art in transfer in the Era of Pop. Curatorial Practicies and Transnational Strategies, Södertörn University, 2017.


Annika Öhrner Associate Professor in Art History and Director of Doctoral Studies in Art History at Södertörn University. Her research is directed towards critical historiography, cultural transfer and museum- and exhibitions studies. She is also an exhibition curator.

Isabelle Strömstedt PhD Candidate at the Department of Culture and Society, Linköping University.  She is currently working on her thesis preliminary titled The Patent Office on Display: Intellectual Property in the Public Eye.

When and where: 

This information as pdf: Patents on Display and Methods of Exhibition Analysis

Zoom link:

Time: Tuesday, 1 December 2020 13.15-15.00: CET


Interdisciplinary Reflections on ‘Patents as Capital’ with Erkan Gürpınar


This blog post is the third and final part in a PASSIM blog series where invited scholars reflect on patents as capital from an interdisciplinary perspective.

Dr Erkan Gürpınar is Assistant Professor in Economics at the University of Ankara. His disciplinary background is in Economics (BSc, Msc Middle East Technical University & PhD Univ. of Siena) and Development Studies (MSc Uppsala University). During his PhD, he was a visiting researcher at the Centre of Development Studies of the University of Cambridge between 2011-2012.

His website can be found here:



1. why do you study patents?

I study patents because they affect and shape the organizational structure of knowledge-based economies at micro and macro levels. Modern economies are knowledge-intensive, and we have seen a dramatic increase in the importance of knowledge as a means of controlling production. The accumulated knowledge about methods employed in production processes is of utmost importance. Patents, and in a broader sense, intellectual property rights are central elements for the organization of production within such knowledge based economies. They have the power to (partially) determine who owns – hence controls – the usage of accumulated techniques and knowledge of any community. Patent regimes have long lasting effects on production organization at the local as well as international level, for example developed vs developing nations, employers vs employees, multinationals vs SMEs. Moreover, the extension of patents to the realm of basic knowledge and public research is a relatively novel development that has implications for production organization and the future of open science and universities.


2. how do you understand patents as capital?

Traditionally in economics, capital has been treated as a physical phenomenon. Economic theory does not try to explain the history (and evolution) of capital as a concept. Patents, and intellectual property in general, are indicative of the limits that such a narrow approach to the theory of capital entails. An alternative understanding of capital goes beyond physical equipment and tangible assets, and includes intangible assets and immaterial wealth as legitimate parts of the definition of capital. Indeed, the obsession with tangibles in the definition of capital is historically rooted in the rise of industrial societies, in which the possession and utilization of material wealth are central to the organization of production. The classical division between capitalists and workers rest on this fact. Today, such an analysis is incomplete. Immaterial wealth is even more important in some leading sectors, such as information and communication technology and biotechnology.

Patents as capital should be understood in its historical context. Intangible assets are crucial parts of the production process. Although economics now embraces some of the conceptual developments of capital (e.g. human capital), economic theory overlooks the tacit character of useful knowledge and the legal disputes surrounding it. In economics, capital as knowledge cannot be understood properly without taking into account its legal, historical and organizational dimensions.


3. how does your work relate to this understanding?

In line with Thorstein Veblen, I argue that the term capital should be defined by observation rather than by deduction. Modern economies, at least in the developed world, are knowledge- intensive. Therefore control over useful (workplace) knowledge is important for managerial reasons. Such a control, in turn, has an effect on the distribution of income across different groups in society. An analysis of such an immaterial wealth cannot be confined to human capital, since it is embedded in organizational structure of firms. Immaterial wealth will be local and ‘sticky’ depending on the choice of a firm’s different technologies, its legal environment, as well as country of operation. It is unevenly distributed across employees, firms, sectors and regions. Furthermore, the extension of intellectual property regime to the realm of basic science and public research is an example of how legal decisions affect the institutional structure within various economies. By extending Veblen’s approach to capital to knowledge-based economies, I propose to re-define the term capital to include patents, as well as trade secrets and restrictive (non-compete) covenants. The analysis could then be used to explain changes triggered by knowledge-based economies. By doing so, I hope to contribute to the debates on the successes and failures of high-tech sectors and clusters (e.g. Silicon Valley), the role of legal regulations on knowledge, their effects on economic growth, and the distributional and efficiency implications of alternative organizational structures in knowledge based economies.


4. what do you think are the benefits and drawbacks of studying patents from an interdisciplinary perspective?

Diverse disciplines, such as economics, law, history and management, have studied patents. Not dissimilar to other interdisciplinary debates on rationality and rational actor, there is not any consensus on the definition of the core concepts. This makes interdisciplinary exchange difficult. And yet, an interdisciplinary approach is unavoidable since only a holistic view on the origin, development and the current state of the patent system can help us avoid just-so stories about the relevance and efficiency of patent regimes. This requires an interdisciplinary exchange: while legal scholarship could shed light on the role of patent systems on technology and notions of innovation, historical analysis can point to the developments of important changes to the patent system in the last two centuries. Moreover, economics could analyze the efficiency of patent systems in relation to the challenges faced by knowledge-based economies. Last but not least, insights from the discipline of management could show why knowledge and its ownership via patent systems are vital elements in the organization of production, and why treating knowledge as mainly freely available information may be incomplete. Patents and other forms of intellectual property represent a battle ground for interest groups around the world. An interdisciplinary approach can help us to understand scale and scope of such an antagonism and also possibly derive policy implications for the knowledge-based economies of the future.


5. your questions to others in the workshop group (if there is anything you’d like others to comment or discuss)?

What do you think about the definition of capital in economics textbooks?


Would you like to comment on Erkan Gürpınar’s reflections? Please do so below or on twitter. @passimproject



Interdisciplinary Reflections on ‘Patents as Capital’ with Susi Geiger


This blog post is the second part in a PASSIM blog series where invited scholars reflect on patents as capital from an interdisciplinary perspective.

Susi Geiger is a Professor of Marketing & Market Studies at University College Dublin and the Principal Investigator on an ERC Consolidator project “MISFIRES” (2018-2023) project. MISFIRES asks how actors can engage with a market’s failures to challenge its organisation and make it more collaborative, more open to civic values and to social or political concerns. More broadly in her research Susi tries to figure out how complex markets are organized, with specific interests in technology and healthcare markets. She has published numerous articles in outlets including Organization Studies, Research Policy, Entrepreneurship Theory and Practice, Business & Society, and Journal of Cultural Economy.

Susi Geiger and MISFIRES are on Twitter: @complexmarkets @MISFIRES_ERC


1.why do you study patents?


Together with the ERC research group that I’m leading, I am researching ‘concerned markets’, that is markets where multiple actors’ interests, values and concerns clash (Geiger et al. 2014). In healthcare, such concerns include for instance those of patients and their advocacy groups, healthcare providers, civic society, governments, pharmaceutical firms, generics manufacturers, and health insurers, and could revolve around prices of medicines, access to innovative drugs, sustainability of supply and other issues. We are interested in how healthcare markets are organised, and how they could be organised better to take account of these various concerns. Patents are one of the strongest market shaping mechanisms and of central importance in healthcare as they will confer a legal monopoly onto innovative pharmaceutical companies for up to 20 years at a time (and sometimes longer, if we consider patent ‘toolbox’ strategies such as evergreening or the use of supplementary legal safeguards). This will have effects on pricing, on the negotiation strength these firms have vis-à-vis government buyers, on the entry of generic competitors, on innovation elsewhere in the system (through the use of patent ‘thickets’ and defensive patenting). Essentially, pretty much every aspect of the healthcare market is shaped through the patent system, therefore it is vital to understand how exactly it works – and again, if there are any alternatives to it that could make the market work ‘better’ (what ‘better’ is, and if it is indeed required, is of course in the eye of the beholder).


2. how do you understand patents as capital?


I consider patents in the context of the so-called financialisation of the pharmaceutical industry. According to financialization scholars, biopharmaceutical firms have, for some years now, focused more on a ‘rentiership’ than on an innovation business model. The latter would see vertically integrated pharmaceutical firms investing in a research and development pipeline that leads all the way from fundamental R&D efforts to post-market pharmacological surveillance in the interest of manufacturing innovative medicines to serve the world’s population. The former ‘financialized’ business model describes a strategic stance that can be characterized by six broad practices: First of these is the replacement of in-house R&D with the sourcing of external R&D through acquisitions or alliances with smaller biotech firms, which arguably lessens the risks large pharmaceutical firms need to take (Andersson et al. 2010). Second, pharmaceutical firms have been accused of a focus on what are often seen as modestly innovative but lucrative ‘blockbuster’ drugs that may yield revenues in excess of US$1bn per year, perhaps to the detriment of focusing on less lucrative but more pressing disease categories (Li 2014).  Third, they are increasingly adept at wielding a toolkit for strategic patent management, which for instance includes the so-called evergreening or incremental innovation of branded drugs to elongate their patent protection periods (Finch and Geiger 2011; Geiger and Finch 2016). Fourth is the exploitation of dominant market positions to extract arguably excessive rents in the form of high prices for medications from national and private healthcare payers (Roy and King 2016; Glabau 201; Gabaldon 2018). Fifth, and relatedly, reinvestment of these super-normal profits increasingly takes the form of share buybacks rather than future-driven R&D investments (Lazonick and Tulum 2011; Lazonick et al. 2017). Lastly, pharma has witnessed the emergence of pure ‘rentiers’ or ‘functionless investors’ ( van der Zwan 2014) in the form of so-called patent trolls or ‘Non-Practising Entities’ that buy and sell patents purely for financial gain (see also Kang 2015). In a nutshell, the financialization thesis portrays biopharmaceutical firms as viewing their drug portfolios as assets to be exploited through rent-seeking behaviors rather than instruments through which to ensure and enhance the public good. The patent, in this business model, turns from technological signifier to financial asset – or capital – to be bought and sold, banked and speculated upon, strategized and preempted.


3. how does your work relate to this understanding?


In our empirical work we observe how activists in the access to medicines space have turned their attention to patents in recent times. Of course, patents have always represented a bone of contention between access activists and innovator firms, particularly in the Global South where patent contestations by activists and governments have a history since the late 1990s AIDS crisis. However, it is only in recent years that activists in high income countries have focally taken on and contested patent decisions for instance by the European Patent Office. Assets can only be assets if and when they are specific, exclusive, and (typically) immutable.  The cases we have traced in our work reveal the gaps left open in the process of enclosure of ‘patents as capital’. These gaps can be grasped not only by rival companies wishing to gain a piece of the market pie, but they can also help other actors – for instance civil society or social scientists – analyse and/or contest the ‘asset condition’ (Muniesa et al. 2017 p. 34) of the biopharmaceutical enterprise. For instance, in one high-profile case of the Hepatits drug Sofosbuvir, since its launch and the associated public outrage its inflated price point caused, the mantle of patent contestant has been taken over from Gilead’s pharmaceutical rivals by civil society. In 2015 and 2017, the NGO Médicins du Monde led a group of activists into two patent oppositions that, interestingly, did not make appeal to the drug’s ethical and moral entanglements but that referred back to potential weaknesses in its patentability by referring chiefly to its lack of novelty –conjuring up its traces in extant HIV and Hepatitis C research much like the earlier patent disputes among private firms did . As an extension of the toolkit wielded by social movements around access to medicines, such patent contestations are becoming an important part of an increasing resistance against biopharmaceutical financialization.


4. what do you think are the benefits and drawbacks of studying patents from an interdisciplinary perspective?


Patents are complex entities (one would even say they are ontologically multiple). They have legal, technical, commercial and social lives, and they perform and are understood differently in each of these networks. In order to study patents-as-capital comprehensively, perspectives including those of law scholars, STS researchers, economic sociologists, institutionalists and technical specialists need to be integrated and connected. In short: to study something that is ontologically multiple requires epistemological multiplicity – though this requires building, to speak with Galison, ‘trading zones’ of interdisciplinary research between such different academic disciplines.


5. your questions to others in the workshop group (if there is anything you’d like others to comment or discuss)?


How can we go beyond the statement that ‘patents are capital’ to envisage and enact alternative and perhaps more ‘moral’ conceptions of technical ‘enclosures’? Commons, open science, sharing, license pooling, … ?

As technological signifiers and innovation signposts, patents are a one-size-fits all mechanism. While ‘breaking up’ the patent system – a system that has solidified over centuries into what it is today – is clearly not a realistic goal, what can scholar-activists contribute to nuance what has become a globally uniform and often very blunt instrument?


Would you like to comment on Susi Geiger’s reflections? Please do so below or on twitter. @passimproject